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In the past few decades, the italic script has been promoted in English-speaking countries as an easier-to-learn alternative to traditional styles of cursive handwriting. The style of Italic script used today is often heavily influenced by developments made as late as the early 20th century. The style became increasingly influenced by the development of Copperplate writing styles in the eighteenth century. By the 1550s the Italic script had become so laborious that it fell out of use with scribes. Under the influence of Italic movable type used with printing presses, the style of handwritten Italic script moved toward disjoined, more mannered characters. Perhaps the most significant change to any single character was to the form of the a, which he simplified from the two-story form to the one-story form ⟨ø⟩ now common to most handwriting styles. In response, he created the Italic script, which incorporates features and techniques characteristic of a quickly written hand: oblique forms, fewer strokes per character, and the joining of letters. The Italian scholar Niccolò de' Niccoli was dissatisfied with the lowercase forms of Humanist minuscule, finding it too slow to write. The capital letters are the same as the Humanist capitals, modeled on Roman square capitals. Italic script is based largely on Humanist minuscule, which itself draws on Carolingian minuscule.
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History One of the innovations of Niccoli's Italic script was the major change to the Humanist minuscule a. It is one of the most popular styles used in contemporary Western calligraphy. Italic script, also known as chancery cursive and Italic hand, is a semi- cursive, slightly sloped style of handwriting and calligraphy that was developed during the Renaissance in Italy. Example page of the "Italique Hande" from a copy of A booke containing diuers sortes of hands. For other uses, see Old Italic alphabet and Italic type. This article is about the calligraphic and handwriting style.